Yusuf Misdaq
“Ashtiname”
Open Studio | Performance | Meditation
Charleston, SC | Spring 2023
FSA Artist-in-Residence Yusuf Misdaq’s spring residency in Charleston was inspired by the Prophet Muhammad’s “The Letter of Ashtiname,” (623 CE) including his open studio (featuring both in-process and completed works), a live performance at FSA’s Garden Party, and a Sufi meditation.
Directed to a group of Christian monks who resided in an ancient monastery on Mt. Sinai, “The Letter of Ashtiname,” goes at lengths to elevate the status of Christians, guaranteeing their safety, ensuring their protection and rights. It highlights the Prophet Muhammad’s immense compassion, generosity, and unifying vision for the world, which Misdaq feels has been historically misunderstood. (A copy of the original letter and English translation is below in the links under “Read”). Misdaq’s project “Ashtiname” is the title of the live performance and work exhibited at his FSA open studio.
Open Studio + Performance
Misdaq’s open studio exhibited a collection of works ranging in mediums that reflect his creative process and play between sonic, poetic, technological, and physical materials: a series of digital prints (“Tajjali,” 2023), a website (“Eternal Poetry,” ongoing) and a film screened upstairs in his living quarters (“Ocean of Safety,” 2014).
“Tajalli” was developed using a multi-layered process consisting of digital collage, AI, and photography. Originally creating 14 prints, Misdaq selected six particular works for this particular narrative series depicting the dissolution of the self in prayer and meditation. While the images have individual titles, Misdaq chose to exhibit these works without captions on the gallery wall, framing them with wood that he foraged from construction sites throughout downtown Charleston.
Along the back studio wall, Misdaq featured a collage of poems penned and painted on a milieu of surfaces – paper, napkins, disposable plates, and fabric.
Program Documentation + Select Images