Artist-in-Residence

Norberto Roldan
Charleston, SC | Spring 2025

Norberto Roldan will be welcomed in Charleston this coming March and April for FSA’s Spring 2025 residency. Roldan (b. 1953, Roxas City, Philippines) has been a leading figure in the artistic landscape of the Philippines for decades. His installations, assemblages and paintings of found objects, text fragments, and found images address issues surrounding everyday life, history, collective memory, and the ways in which material objects are re-appropriated in another context.

Roldan’s work is currently featured in El Museo del Barrio’s triennial survey, Flow States, on view until February 9th, 2025, in New York City.

 

In 1986, Roldan founded the seminal artist group Black Artists in Asia, a Philippines-based group focused on socially and politically progressive practice, and in 1990 he established VIVA EXCON (Visayas Islands Visual Arts Exhibition and Conference), the region’s longest-running biennale.

In 1986, Roldan founded the seminal artist group Black Artists in Asia, a Philippines-based group focused on socially and politically progressive practice, and in 1990 he established VIVA EXCON (Visayas Islands Visual Arts Exhibition and Conference), the region’s longest-running biennale. Presently, he is the Artistic Director of Green Papaya Art Projects, which he co-founded in 2000. This independent artist-run initiative and alternative art space fosters collaboration and cultural exchange between artists, and remains the longest running independent and multi-disciplinary platform in the country.

Roldan graduated with a degree in BA Philosophy from St. Pius X Seminary and took his BFA in Visual Communication from the University of Santo Tomas, the Philippines. He was represented in several landmark surveys, including No Country: Contemporary Art for South/Southeast Asia, Solomon R Guggenheim Museum, New York (2013); Between Declarations & Dreams: Art of Southeast Asia Since the 19th Century, National Gallery Singapore (2015); SUNSHOWER: Contemporary Art from Southeast Asia 1980s to Now, National Art Centre Tokyo (2017); and, Passion and Procession: Art of the Philippines, Art Gallery of New South Wales (2017).

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