Francesco Clementewas born in 1952 in Naples, Italy. He studied architecture at the Università degli Studi di Roma, La Sapienza in Rome in 1970, before turning his focus towards art.

Clemente came to prominence in the late 1970s and cemented an international reputation with his participation in the 39th edition of the Venice Biennale in 1980. He is most closely associated with the Transavanguardia movement in Italy and recognized as an influential figure of Neo-Expressionism in the United States. Clemente’s generation came of age amidst the politicization of Italy, where conceptual, artistic strategies and the dogmatism of Arte Povera prevailed. Against this background, the artist chose to concentrate on painting as a model of inner reconciliation, exploring the contemplative and symbolic nature of the medium, and focusing on how the body can act as a threshold between the inner and outer self. Clemente fiercely sought out alternative narratives and images of contemporaneity, and found creative refuge in the philosophical, spiritual, and aesthetic ideologies of the East. The artist traveled to India for the first time in 1971 and later visited Afghanistan with his friend and mentor, Alighiero Boetti.

Establishing his New York studio in 1980, Francesco Clemente continued to collaborate with creative lights across disciplines, painting with such artists as Andy Warhol and Jean-Michel Basquiat, and illuminating manuscripts with writers Allen Ginsberg, Robert Creeley, John Wieners, Rene Ricard, Vincent Katz, and Salman Rushdie.

His work is featured in many prominent museum collections worldwide, including the Albertina Museum, Vienna; Art Institute of Chicago; Miami Art Museum; Kunstmuseum Basel; Solomon R. Guggenheim Museum, New York; Guggenheim Museum Bilbao; The Metropolitan Museum of Art, New York; The Museum of Modern Art, New York.