Mikve Rajel

Pascal Arquitectos | Mexico City, Mexico | 2011

For this FSA feature, we highlight Mikve Rajel (Mikvah Rachel), a Jewish ritual bath designed and built by the architectural firm Pascal Arquitectos to serve the local Jewish community in Mexico City. Central to Jewish religious life is the rite of purification through ritual bathing. There are strict regulations regarding the purity of the water that is employed, which should be “living water” from rainwater or a spring. In addition, there are also specific requirements pertaining to the facility in which the bath is housed including its materials, layout, and architecture measurements. 

Originally a site for a small bath house constructed by Pascal Arquitectos some two decades earlier, Mikve Rajel is an updated replacement in a region bereft of mikvehs. According to the description provided by the architects, “there were other such places but not very fortunate, dirty and neglected, community members were not going any longer, and the ritual was disappearing, which according to the Jewish religion is the most important.” Thus, Pascal Arquitectos helped sustain the practice of such an important sacred Jewish ritual and space through their architectural renovation.


The design of the spatial sequence within the Mikve Rajel replicates the sacred meaning of the purification ritual. 

The design of the spatial sequence within the Mikve Rajel replicates the sacred meaning of the purification ritual. Based on the firm’s description: “Mikveh is known to represent the womb, so when a person enters the pool, it’s like to return to it, and when it emerges, as if reborn. In this way, you get a totally new and purified condition. Its symbolism represents at the same time, a tomb, therefore, can not be performed the ritual bath in a tub, but must be built directly into the ground. The fact that illustrates the Mikveh much as the woman’s womb and at the same time as the grave, becomes not a contradiction, since both are places where you can breathe, and at the same time are endpoints of the cycle of life.” This description illuminates the reasoning behind the building’s linear path. First, the corridors around Mikve Rajel lead to the washing rooms, from where one proceeds into the mikvah itself. The exit from the mikveh is separate from its entrance, symbolizing the journey of entering impure and departing cleansed.


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