Tina Kim Gallery

“The Calling of Home”
July 2 – September 6, 2025
Exhibition | New York, NY

The Calling of Home is a quietly powerful meditation on the idea of home— not merely as a familiar place or a destination, but as something being constantly made, unmade and remade.  Curated by Wells Fray‑Smith and Clara Che Wei Peh, the show brings together four artists — Cheong See Min (Malaysia), Marcos Kueh (Malaysia), Jennifer Tee (Netherlands) and Khairulddin Wahab (Singapore) — whose work explores the resonances of place, displacement, cultural memory, and personal history. Akin to the idea of a spiritual pilgrimage, and against the backdrop of migration, memory and identity, the four artists ask: what it means to belong, to leave, to return, and to be transformed in the process.

From fiber and textile to painting and collage, these objects invite a spiritual reading of place as an evolving condition — one that encompasses longing, transformation, belonging and pilgrimage. And it encourages viewers to see home as a spiritual orientation, a thread of memory and identity stretching through time and geography.

(Image: Cheong See Min, “A Place of Solace (Pineapple planters and Chinese Altar),” 2025.)

 

Cheong See Min’s hand-woven textiles using pineapple-leaf yarns and natural dyes are material metaphors for roots and reaching, the organic and the made.

Cheong See Min’s hand-woven textiles using pineapple-leaf yarns and natural dyes are material metaphors for roots and reaching, the organic and the made. Marcos Kueh’s large-scale industrial weavings merge graphic-design thinking, advertising vocabulary and craft to ask how identity can be woven, worn, displayed, erased and recovered. Khairulddin Wahab’s painterly canvases engaging Southeast Asia’s environment, colonial history, and layered mythologies suggest that the idea of home is always layered and prismatic. Jennifer Tee’s sensitive collages, which draw from nature, folklore and diasporic imaginaries open pathways between what was, what is, and what may become.

Together, these practices map a “home” not as fixed geography but as evolving locus: of memory, migration, reinvention and spiritual anchoring. The exhibition encourages viewers to sit with ambiguity and hope, to consider that home might be found not only behind us, but ahead, within, between.

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