“Heaven and Earth: The Garden of Cosmos”

Performance Activation By Bingyi
The Morgan Library & Museum
New York City | Friday, October 10, 2025

Performance Times: 2:00 – 2:20 PM and 3:00 – 3:20 PM
In the Morgan Garden, Free with Museum Admission
Curated by FSA Curator-at-Large, Leeza Ahmady

The Morgan Library & Museum, in collaboration with the Foundation for Spirituality and the Arts (FSA), premiers Heaven and Earth: The Garden of Cosmos by Beijing and Los Angeles based artist and scholar Bingyi. This new performance work was conceived in conjunction with the Morgan Library & Museum’s fall exhibition, Sing A New Song: The Psalms in Medieval Art and Life.

Traditionally ascribed to King David, the Hebrew Book of Psalms is a collection of sacred poems that constitute the longest and most popular book of the Bible. These poems include expressions of lament and loss, petitions and confessions, as well as exclamations of joy and thanksgiving— universal themes that speak to what it means to be human.

Inspired by the timeless sentiments of Psalm 104—its reverence for creation, divine order, and cosmic harmony that transcend cultural boundaries—Bingyi authored an epic poem in Chinese that forms the foundation of this performance. Drawing on her longstanding engagement with both Abrahamic scriptures and Chinese philosophical traditions, she activates the Morgan Library & Museum Garden as a contemplative convergence of architecture, sound, and spirit.

Clad in a flowing, ink-painted rice-paper garment, the performance becomes an embodied meditation—a living praise song to the harmony of heaven, earth, and the boundless cosmos—echoing Psalm 104’s eloquent exaltation of divine order and creation. Collaborating with Tibetan ritual master Nanmei and Yi singer Aluo, Bingyi summons the ancient power of chant and sacred verse. Together, they forge a shared sacred space that traverses Taoist, Buddhist, and Judeo-Christian cosmologies—a portal between form and formlessness.

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About the Artist:

Bingyi’s work embodies a profound spiritual connection with nature, time, and the unseen forces that shape our world. After early studies in biomedical and electronic engineering, she earned a Ph.D. in Art History and Archaeology from Yale (2005), where her dissertation focused on Han Dynasty art and its cosmological foundations.

About the Artist:

Bingyi’s work embodies a profound spiritual connection with nature, time, and the unseen forces that shape our world. After early studies in biomedical and electronic engineering, she earned a Ph.D. in Art History and Archaeology from Yale (2005), where her dissertation focused on Han Dynasty art and its cosmological foundations. Her monumental ink paintings utilize carbon—“dark light”—in water to trace the invisible physical forces that shape natural and urban environments. Working on-site over months or years, she collaborates with weather, topography, and time to record the emergence of order from chaos. Her installations and performances then reanimate these elemental forces in real time for the viewer. Bingyi has exhibited internationally at institutions including LACMA (2024), the Philadelphia Museum of Art (2022), the Brooklyn Museum (2019), the National Art Museum of China (2017), Shanghai Museum of Contemporary Art (2016), Istanbul Modern (2016), Museo de Arte Contemporáneo de Alicante, Spain (2014), St. Johannes-Evangelist-Kirche, Berlin (2012), the Smart Museum of Art at the University of Chicago (2010), Galerie Erna Hecey, Brussels (2009), Contrasts Gallery, Shanghai (2009), and Max Protetch Gallery, New York (2008), among many others.

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