Scholar-in-Residence

Yasafumi Nakamori
Charleston, SC | Fall 2026

We are pleased to welcome Yasufumi Nakamori to FSA’s residency program in Charleston this fall. A past director of the Asia Society Museum (NY) and prior curator at the Tate Modern, Houston MFA, and Minneapolis Institute of Art, Nakamori is a noted scholar of modern and contemporary global art whose work engages cross-disciplinary and transnational perspectives. Now working independently, his 2026 exhibitions include Martin Wong: Chinatown USA at Wrightwood 659 (Chicago, IL); Monkeys, Red Rocks, and Rivers: Atul Bhalla and Robert Zhao Renhui at the Hampi Arts Lab (Vidyanagar, India); and Rina Banerjee: You made me leave home… at Espace Louis Vuitton (Tokyo, Japan), all of which demonstrate the remarkable breadth of Nakamori’s curatorial practice.

Trained as a specialist in photography and in Japanese art and architecture, Nakamori traces his initial fascination with art history to the 1976 book Minamata, a photo essay by W. Eugene Smith and Aileen M. Smith that documented mercury poisoning in a Japanese fishing village. Recognizing the capacity of photographs to confer dignity upon, and visibility to, various subjects, Nakamori’s own projects have variously explored the power of visual images in creating communities, recording alternate histories, and raising social awareness. He is particularly interested in the ways that artists critically engage with 20th-century political change and can themselves facilitate broad historical exchanges and transformations. While in Charleston, Nakamori will be developing a book project on art and spirituality across Japan, India, and the United Kingdom from the late 19th to the mid-20th centuries.

 

About the Scholar

Originally from Osaka, Yasufumi Nakamori studied law at the University of Wisconsin and practiced in New York City for several years. Following the events of 9/11, he embarked on a new career path, obtaining his Ph.D. in art history from Cornell University in 2011. Since then, Yasufumi has held several distinguished positions, most recently serving as Director of the Asia Society Museum in New York, and its Vice President of Arts and Culture. From 2018 to 2023, he was Senior Curator of International Art (Photography) at the Tate Modern, London. Prior to joining Tate Modern, Nakamori was Department Head of Photography and New Media at the Minneapolis Institute of Art, and between 2008-2016, he served as the Associate Curator of Photography at the Museum of Fine Arts, Houston.

About the Scholar

Originally from Osaka, Yasufumi Nakamori studied law at the University of Wisconsin and practiced in New York City for several years. Following the events of 9/11, he embarked on a new career path, obtaining his Ph.D. in art history from Cornell University in 2011. Since then, Yasufumi has held several distinguished positions, most recently serving as Director of the Asia Society Museum in New York, and its Vice President of Arts and Culture. From 2018 to 2023, he was Senior Curator of International Art (Photography) at the Tate Modern, London. Prior to joining Tate Modern, Nakamori was Department Head of Photography and New Media at the Minneapolis Institute of Art, and between 2008-2016, he served as the Associate Curator of Photography at the Museum of Fine Arts, Houston.

Nakamori has organized numerous exhibitions during his career including, at Tate Britain, The 80’s: Photographing Britain (2024–25) and Zanele Muholi (2020–21). At the Museum of Fine Arts, Houston, he curated For a New World to Come: Experiments in Japanese Art and Photography, 1968–1979 (2015) and Katsura: Picturing Modernism in Japanese Architecture, Photographs by Ishimoto Yasuhiro (2010). Nakamori’s catalog for the latter was awarded the 2011 Alfred J. Barr Award by the College Art Association (CAA). In 2026 his book The 80s: Photographing Britain received the Best Museum Exhibition Catalogue Award from the Historians of British Art. Nakamori has authored, edited, or co-edited nine books and published numerous scholarly essays, including one for the forthcoming exhibition Afterlives: Japanese American Artists and the Postwar Era (Los Angeles: Museum of Contemporary Art, 2027). In addition to publishing extensively, Nakamori teaches and lectures regularly around the world.

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