Scholar-in-Residence

Tumelo Mosaka
Charleston, SC | Fall 2025

We are pleased to welcome Tumelo Mosaka as FSA’s Scholar-in-Residence in Charleston, South Carolina, this fall (October–November 2025). Mosaka currently serves as the Mellon Arts Project Director for the Department of African American and African Diaspora Studies at Columbia University and is also a noted independent curator. Mosaka’s residency marks something of a return to Charleston; in 2001 and 2002, he co-curated the public art programs for the Spoleto Festival USA’s acclaimed Evoking History series: Listening Across Cultures and Communities, and The Memory of Water. His most recently curated exhibition, Between Distance and Desire: African Diasporic Perspectives (which includes the work of former FSA artist Nyugen E. Smith) is on view at the Soloviev Foundation in New York City, through December 22, 2025. He is also co-editor of the forthcoming book, Black Curators Matter: Conversations on Art and Institutional Change.

Mosaka, who was born in Johannesburg, South Africa, is deeply committed to advancing new possibilities for contemporary art and the ways in which it can communicate, engage with, and respond to everyday realities as well as larger historical, civic, and social concerns. His projects over the last two decades have explored a range of global and transnational artistic practices from Africa, the Caribbean, North America, and South America. Mosaka’s curatorial approach has consistently emphasized the importance of art as knowledge production and explored the alignment of exhibitions with public programming in order to create platforms for community-building. As he revisits the arts landscape in Charleston, Mosaka intends to investigate the influence of Sea Islands culture on Black American expressionism.

 

About the Scholar

Mosaka received his M.A. from the Center for Curatorial Studies, Bard College, NY, in 2000. He then served as Associate Curator of Exhibitions at the Brooklyn Museum of Art where he organized Infinite Islands: Contemporary Caribbean Art (2007) and Passing/Posing: Kehinde Wiley (2004), among other shows.

About the Scholar

Mosaka received his M.A. from the Center for Curatorial Studies, Bard College, NY, in 2000. He then served as Associate Curator of Exhibitions at the Brooklyn Museum of Art where he organized Infinite Islands: Contemporary Caribbean Art (2007) and Passing/Posing: Kehinde Wiley (2004), among other shows. He later became Curator of Contemporary Art at the Krannert Art Museum in Champaign, IL, organizing several solo and group exhibitions. The latter include Blind Field (2013), focused on contemporary art from Brazil, and On Screen: Global Intimacy (2009), an exploration of globalization as portrayed in the video works of a transnational group of artists.  

As an independent curator, Mosaka has organized several key exhibitions, both nationally and internationally. These include Yakhal’ Inkomo (2022–23, Javett-UP Art Center, University of Pretoria), which presented contemporary artists from South Africa; Echos Imprévus—Turning Tide (2017, Mémorial ACTe Museum, Guadeloupe), an exploration of slavery, memory, and modernity in the works of Caribbean artists; Poetics of Relation (2015, Perez Art Museum, Miami), in which a global roster of artists engaged with the traumas of colonialism and migration; and Otherwise Black (2014, International Biennale of Contemporary Art in Martinique), a gathering of works by artists in the Caribbean, the U.S., and the U.K exploring the experience of race and identity. In addition to curating numerous solo artist exhibitions, Mosaka has served as an advisor to the Prospect.6 triennial in New Orleans (2024–25), Chief Curator for the Investec Cape Town Art Fair in South Africa (2016–19), and curatorial collaborator with the Opa-Locka Community Development Corporation.

READ MORE
READ LESS

Select Images